Friday

The New Year Post

2020 was a challenging year for me (mostly mentally). I barely made it out of 2020 alive, literally. 

And since I am still breathing as 2021 starts, I thought maybe a rundown of major blessings is in order. Here are the biggest, most treasured blessings I had for the past year. 

1. My mom survived COVID-19. She was fairly healthy, and so she remained asymptomatic during the time she contacted the virus. I am extremely thankful to have had a healthy set of parents even when they're at their old age.

2. My career has *really* started. While I have already been teaching for three years, but that was in a private school. This year I got got in the ranking for public school teacher applicants. By September, I got my school assignment and started my teacher duties right away.

3. I think I got saved from suicide. The last few weeks of November up to the first week of December took a toll on me. I constantly saw myself dead in my dreams or in epiphanies. A forced phone call from a dear friend saved me. [I haven't fully recovered yet. I still don't want to talk to people other than family and most trusted friends, but I am now doing better than I did the night I thought I would die.]

4. My boyfriend got his first motorcycle. It was such a convenience to have. We can go out whenever we want (to some extent) without having to risk commuting.

5. I've got really supportive new co-teachers. Due to the new normal setting, I have never met most of them in person. I kinda suck at camaraderie during face-to-face situations, and work-from-home settings heightened this on me. So it was such a blessing that my co-teachers were very supportive and approachable even when I haven't seen them yet.

You know how movie sequels are usually not as impactful as the first installment? I have this weird a feeling that 2021 would be like that. It's the nine-month long 2020 movie but with less stress. It's the 2020 movie with a blander plot though hopefully better ending.

I still don't feel like telling stories, so I guess I'll keep this post short.

Welcome, 2021! Happily blessed New Year to all! 😊🎉

Monday

Buried Stories

Back in grade school, I wanted to be a writer.

Graduation retreat 2005, our retreat facilitator asked us to draw a symbol of what we wanted to do in ten years. I distinctly remember drawing a quill and a bottle of ink on a quarter of a long bond paper.

I hid that paper until just before I entered my 3rd year in high school.

Up to that point, I believed that I really could write moving stories crafted with words so poignant it might melt my readers' hearts. I was wrong. You see, I know I could write. The thing is, I couldn't continue writing. I'd think of an idea, a topic, a story, and I'd actually start to write them down. I'd get short, powerful outbursts of inspiration that would get me writing for hours, even days... until I stop to rest. And when I rest, my writing halts. I would not know how to go on with the story or topic I was writing about anymore.

***

Fourth grade. I had dreamt of being a young poet-novelist. I had this idea of a writing style for my first novel: prose juxtaposed with poetry within the novel. A young man writing a never-ending song to the woman who holds his heart. Every events of their colorful love story would merit a part of the song that plays on the background inside the young man's head that only he could hear.

However, there were two major setbacks of making that happen then. First, I had no experience whatsoever in romantic love. What I knew about love back then were what I had seen in the movies, or had read in novels and fairytales. Second, I started writing it with the phrase "Once upon a time in a faraway land" which could be fine if  only it was meant to be a fairytale. But it isn't. So when I pitched it to my closest classmate at that time, she just laughed and said I was too corny to be writing.

So I stopped it.

Come the final years of grade school, I would be the feature writer of our school paper. The writer dream was still with me, albeit a different kind of writing. But whenever I write, my classmate's words -- "masyado kang korni" -- would play in my head the way the never-ending song was supposed to play in my protagonist's head.

***

Seventh grade. I enrolled in a special arts program at school focusing on Creative Writing. I thought being in a formal program on writing would help me with my "outbursts" problem, what with it being a regular after-acads class. And I thought it somehow did, honestly. When we were just starting, I could write a healthy mix of poems and short stories impromptu. Our CW teacher would task us to write five to ten poems, or a five-minute creative speech, or a complete short story just in a day and I would deliver. I felt like I could really go on being the writer I had wanted to be.

I was wrong.

Just about five months into the program, I felt writing's appeal slipping through me. I started to turn up to class fewer and fewer times, and opted to attend the other art classes (particularly theater) instead. To me, the other art classes were a welcome distraction, an exploration, even, of what I can do outside of writing. I could still write, but my writings were not as inspired as they used to be in the first five months. It went like that until I "explored" another field: Mathematics.

Unlike literature, which I have loved from when I was a little child, my relationship with Mathematics had always been a tumultuous one. I hated it, I loved it, I hated it, I loved it. The cycle went on and on and on like that at different times of my life.

It was during the dying days of eighth grade that I figured, I may have loved Mathematics more than writing. Just before I entered ninth grade, I threw away that little piece of paper with the drawing of a quill and a pen. I decided, I am not going to be a writer anymore.

So I stopped writing.

I still wrote in the form of news articles for the school paper. But, I definitely stopped writing.

***

Tenth grade. Blogs and Creative Corner stories (kids today would know these as Wattpad stories) were gaining attention among us girls at school. Once again, I took interest in writing a novel, like what I did back in fourth grade. But it wasn't the story on the never-ending song -- I did not know how to go on with that anymore. It was about a lost love that has come back to collect from his beau.

I did not start writing that novel right away. Rather, I "tested the waters" first. You see, that "masyado kang korni" still played in my head whenever I tried to write. So to test the waters, I started a little journal of anecdotes. It was an open journal for anyone in the class to read. My closest friends loved my writing style in that journal, and the others really took interest in it. That journal served as my morale booster. Soon after, I started to write the novel.

Every time I finish a chapter of that novel, I'd make my closest friends read it. Some would praise my writing style, some would check my grammar, and some would question the authenticity of the feelings evoked by my chapters. That was where I failed. My novel was not authentic enough to be a mirror of life. How could I even write a novel about love when the closest I had to a having a love life at that time was receiving an anonymous pwede-bang-manligaw note?

So I stopped writing.

In attempting to write that novel, I realized, I was not living fully during high school. I have never invested enough in my emotional bank to be able to create a piece that mirrors the intricacies of life.

***

2011. I started blogging across different platforms (Blogspot, Tumblr, WordPress). I thought I'd be better off writing anecdotes than writing a novel, and blogging was the most convenient way to write without a lot of people noticing.

So yes, I was writing again: anecdotes, short stories, essays, and even poor attempts at poetry. It went well over a year. Until I was struck with depression.

So I stopped writing. Again.

I lost the will to think of what to write. Those were the times I constantly did not want to get out of bed. I wasn't even taking care of myself, much less my interests. I dropped out of university. I went AWOL to all of my friends. I just lost interest in life.

Never have I told anyone about the complete story of that stage in my life. And until now, I'd rather have that time buried deep in my memories than open it up to anybody.

***

2014. I went back to schooling. I also went back to written journaling.

I made attempts here and there to revive my interest in writing. Made some "I am back!" posts on my blog. Written short pieces of poetry on my journal, on top of the usual anecdotes. But it was futile. I found writing more of a task than of a hobby.

So I stopped trying to write again.

***

2020. I can say that I'm probably more mentally stable now than the past few years. And though I teach Maths now, that love for writing I had is starting to grow once again. Within the years I had stopped writing there were a lot of experiences I gained, emotions I felt, friends that came and went, and ideas that passed by so swiftly I was not able to get hold of them longer. 

I could probably attempt to write once in a while now. Maybe not a novel anymore. It's a good thing we have become so mobile in anything that I can write with my phone whenever and wherever. As Bob Ong has once written, "kapag binisita ka ng idea, gana o inspirasyon, kailangan mong itigil LAHAT ng ginagawa mo para lang di masayang ang pagkakataon. Walang 'sandali lang' o 'teka muna'. Dahil pag lumagpas ang maikling panahong yon, kahit mag-umpog ka ng ulo sa pader mahihirapan ka nang maghabol. The instantaneous fulfillment of being able to write what's on my mind could bring balance to my already tiring world. The stories, the feelings, as much as possible, these should not remain buried deep in anyone's soul. They spice up our world, they help us as humans grow.

I'll try not to stop writing now.


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Saturday

Little girl

Little girl
run regally now
    like the black panthers of old
    inside their realm so mystical
    where kings reflect on things vital
    and where leaders get their fix so spiritual.
    But do not just follow the kings of old and new, 
    rather pave your own path
    and rule your own queendom
    as you rule over the course of your fate.

Little girl 
fly freely now
    like white clover heads 
    floating along hot summer air, 
    landing on sweaty little palms, 
    granting wishes youth whispers, 
    floating once more when prayers
    blow them softly back
    to the blue skies
    where wish-granting gods reside;
    to deliver the soft little prayers
    they carried off of sweaty little palms. 
    But do not just carry their prayers:
    rather take yours also with you
    as you soar to the blue skies
    where wish-granting gods reside. 

Little girl
grow gaily now
    like sunflowers shining brightly
    as the sun they look up to
    when they line up to welcome
    the wondrous exit of 
    scholars clad in green and red. 
    But do not just spectate, 
    rather be a part of that culture
    of victory amidst challenges,
    of caring despite knowing,
    of honor before excellence.

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Wednesday

First Day Chronicles

First days had always been a struggle for me. 

When I was in kindergarten, the first day of school was scary as shit. It was the first time I am left alone with no one I know with me. I remember that I almost cried that day, but stopped myself when I saw another kid cry and it was really squeamish. 

Fourth grade. It was my first time enrolling in a public school. I think my mom laid me on a little bit too much to my teachers. The first day was particularly beleaguering. I kept feeling my adviser's eyes on me. I kind of felt like I had to be this perfect little private school-bred lady: quiet, prim, and proper. Which I am, on most levels, definitely NOT.

The first day in high school was a good blend of scary and enchanting (though mostly tipping on scary). I was so used to small buildings from my elementary school that the "towering" four-storey buildings felt suffocating, yet so captivating, as if my dreams of fairytale teenage life were just some winks away. Maybe I'll get bullied. Maybe a senior will take notice of me and be my knight in shining armor. Maybe not just one senior will take notice. Maybe a varsity player will make me his muse. Maybe I'll be this school's "it" girl. (For the record, only one of these maybe's happened: I got bullied. No senior, not even a batchmate, really took notice. Our school did not have a varsity team. I was borderline nerdy and sooo not "it" girl material. High school was in no way like the movies, to my imperceptible dismay.) Those dreams which, not even one day into high school, got shattered by me tripping over the metal drainage grates along the side of the gym what with my too big black leather shoes, and by me getting noticed all for unpleasant reasons what with my too big baggy shirt. It was quite telling of how chaotic my high school  life would somehow become.

Take the "scary and enchanting" bit of first day in high school and multiply that for about a thousand times. That was how the first day inside the university felt (again, tipping more on scary). It was not formal classes yet, just an orientation. And although I had one of my best high school buddies with me as a blockmate, I still wasn't able to shake that feeling of "littleness" (ironic, considering how tall I am). There was just something about the century-old, massive-land-area, country's top university in the heart of a bustling city that makes you feel severely insignificant despite all your earlier achievements. This feeling of insignificance was heightened even more during the first day of class. For the first time in my student life, I felt like I was the dumbest inside the classroom. Just my first university classmates' stances were enough for me to know that the honors I received prior to university are merely shams. No real bearing. No real worth.

The first day I stopped studying, I was like a ghost floating aimlessly. I had so many questions in mind which revolved into just a huge one: What the f-ck went wrong with me? 

The first day back to college, when I decided it's time to straighten the f-ck up, I was doubly awkward. It was like fourth grade all over again. Some professors knew I came from a premier university, so I felt their watchful eyes, bordering on judgment and amusement. I was already aboard a luxury ship, why descend to lowly bangka? Some classmates knew I came from a premier university, so I felt their even more watchful eyes. Why am I here? (Couple of months later, I learned that I wasn't alone: some classmates were in the same situation as I, which, honestly, made my transition to "doubly awkward" to "quite confident" smoother than I have imagined.)

The first day after college graduation was anxiety-inducing. It was the end of life as I knew it and the beginning of life as I'll know it. I am no longer merely a student. I'll be part of a workforce. I'll be an adult really acting as an adult. While employment after graduation wasn't really of question (I was hired weeks prior), the thought of meeting another set of people to come to terms with once again scared me.

Dangerously treading on hypocrisy, I guess, started on the first day of my first job. This was the first time I had attended something deeply religious for years. Deep in my heart, I knew, how I felt during this particular first day foreshadowed how my sojourn there generally went about: light-hearted doused with pretense.

The first day of the community quarantine was the start of five months  probably more? I stopped counting — of uncertainty. While it almost coincided with my most awaited end of contract, I did not picture it the way it unfolded. I had already imagined how I would say goodbye to my lovely students, how I would say sorry if I was not as loving and guiding towards them as I would have wanted to be, how I would tell them that I'd really appreciate it if they'll choose to let me stay in their hearts even a little bit more than the school year. Alas, COVID ruined that. As I don't really do well in impersonal goodbyes, I felt like I'll never be able to move on from something that I have not literally waved goodbye to.

Now, it is my first day as a public school teacher. It is extremely different with how I had imagined it to be when I passed the board exam. COVID prompted all schools to delay the start of classes, as well as to utilize a skeletal workforce. The prospect of me being the only new teacher at this school is terrifying. The fact that I am away from people I am already comfortable being with makes this first day despairing. The nearly-empty corridors make this first day even scarier than all the other first days I had so far. I am lost yet I have exactly no one and everyone to guide me. I am lonely yet I have exactly no one and everyone to be with me. 

First days have always been a struggle for me.


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Saturday

Mulan turns to an unwarranted Magyo

Okay, that title was cringy at best, but hear me: animated Mulan was rainshowers in the dry season, live-action Mulan is the storm that pulls the southwest monsoon.

If only Liu Yifei's heart is as perfect as Mulan's hair in combat. 

***SPOILERS AHEAD***

MULAN (2020): THE MOVIE

I wanted to view the live-action Mulan (2020) as a film independent of its animated predecessor Mulan (1998). But alas, that proved to be an impossible feat. I was not even halfway through the live-action film when I caught myself thinking, "I kind of like this Mulan better."
 
In the past few years, Disney has been trying, and most recently failing, to adapt their classic animated movies into live-action. We, the generations who grew up with Disney classics, would get excited of course. But the last few projects were not enchanting enough to capture the magic that made our collective childhoods Disney-fied (oh hello, Aladdin and the most heart-breaking averageness that was Lion King). With these projects came the fear from Mulan fans that the live-action version is just another soulless cash-grabbing scheme of Disney preying on our childhood nostalgia.
 
I think, we could have not been more wrong.
 
Yup, probably would believe you whole-heartedly if only you weren't so pro-CCP.

Director Niki Caro treated Mulan the way she deserved to be treated. The live-action take on the Chinese classic was thrilling all the way from start to finish. While the animated version struggled to completely capture the Chinese traditional cultural settings and details, the live-action reveled in it. That is not to say that the new Mulan was too traditional: the display of astounding special effects and state-of-the-art action sequences with intricately choreographed martial arts battles and horse stunts screams of modern tropes of cinema. The casting was perfect, the cinematography was astounding, the distinctiveness of the film from the animated version was on point.

The film's heroine is much like the movie itself. Most of us probably grew up to believe that most of Disney animated classics’ magic lies in the incorporation of the enchanting songs that we could repeatedly sing-along with. Overly faithful adaptations has been quite the norm for animated-to-live-action Disney projects, and quite honestly, that did not bode well for Aladdin and Lion King. Expectedly, many animated Mulan fans would probably be looking for the beloved songs I’ll Make a Man out of You, or A Girl Worth Fighting For, or Reflection within the live-action movie. However, Caro’s decision to not include singing parts in the movie was tantamount to Mulan forging her own path despite heavy social norms. As a “shout out” to this norm though, the film cleverly used recognizable melodies (like Honor to Us All in the matchmaker scene and Reflection in the Mulan-connects-to-her-chi montage), and memorable lines (“We're going to make men out of every single one of you” and “I don’t care what she looks like, I care what she cooks like!”).

In addition to the omission of musical numbers, Caro’s careful take on scenes involving traditional Chinese culture was respectful of the primary source material (perhaps too respectful – more on that later). Hollywood, when making commercial movies based on any Asian heritage, tend to create overly comical characters and scenes that are borderline racist and are too westernized. This Mulan however, remains heavily grounded on Chinese folklore and tradition. Caro and her team did an exceptional job showing Chinese culture with elaborate sets, gorgeous costumes, and thoughtful principles – no wisecracking little dragons, and no coward of an emperor. The presentation of loyal, brave, true, and devotion to family also represent the long-time values of China’s people.

Another “breaking away from norm” Caro did for the movie was the non-inclusion of a conclusive love story. In the beloved (albeit imperfect) animated classic, Li Shang, the commander, served as Mulan’s love interest – even appearing towards the end at the Hua residence for “dinner”. This was a particularly ground-breaking at that time due to the bisexuality of Li Shang’s character. Li Shang was first intimately attracted to Mulan as a man, not to her in full blossom as a woman. This was hinted in several blink-and-you’ll-miss-it scenes. In Caro’s Mulan though, the commander was not Mulan’s love interest (to avoid#MeToo repercussions), rather it was Honghui, a fellow soldier and Mulan’s equal. In the movie though, it was quite evident that Honghui saw Mulan as someone no more than a fellow soldier while she was still Hua Jun (“How could I even begin to talk to a woman?” while talking to Hua Jun). It was only when Mulan revealed her true self that Honghui had hinted of being attracted to her (“You wouldn’t even hold my hand?”). And even then, Honghui did not even follow Mulan home the way Li Shang did in the animated classic. Honghui just watched her go, killing any hopes for a definite love story. While this is empowering to female viewers (hey, we don’t need any man!), it somehow does the bisexual community a disservice (more on this later).

Probably the closest to "romantic gaze" in the movie before Mulan reveals her true self.

MULAN (2020): THE CCP PROPAGANDA

Let's face it though, the new Mulan movie has huge undertones of Chinese Communist Party propaganda. Disney became an ass-kisser to China just to push this movie through (didn't pay them off well though, also, China had just banned all media coverage on Mulan, making it more difficult to gain publicity in the country).

Here are several points as to why Mulan was a big CCP ass-kissing propaganda:
"I can chi my way to safety, too, you know."

MULAN (2020): WILL IT BE WORTH YOUR TIME?

Like I said in the beginning of my post, animated Mulan was rainshowers in the dry season, live-action Mulan is the storm that pulls the southwest monsoon.

Yes, live-action Mulan is a stronger film for me compared to the animated version. But the thing is, the animated version, albeit weaker, was needed at that time. Sure some elements of it did not age well (Mulan and Shang love story?), but at that time we kind of needed Disney to give us an Asian heroine. The live-action, though strong in cinematic qualities, is something no one really needed, especially with all the issues connected with it. It is strong, but futile, and is only potentially damaging to the image of Disney itself.

Will you miss much if you do not watch it? I don't really think so. But if you have time to spare, and I mean reaaaally to spare, use that to watch it if only for the spectacle that director Caro had prepared. Just keep in mind that the art is a separate element from all the actors/artists and production company involved, and you'll probably be good to go.

Also, I think if you're going to watch it, torrents will be your best friend.

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